I started my working life at the world famous National Theatre of Ireland (The Abbey) back in 1990 where I worked as a production assistant.
During that time, I began to experiment with the acting process, having seen the theatrical production process from the initial idea for a script, through research, casting, rehearsals, and right up to the opening night.
Having gained advice, guidance and critique from some of Ireland's most successful actors, I decided on using my voice as a outlet for my creativity.
The rest, as they say, is history.
As well as being voice-trained, I come from a background in the aviation industry.
This has seen me travel to pretty much all corners of the globe, picking up new accents as I go.
Two studios:
1. Narration Booth: sound-isolated and acoustically treated.
2. A separate editing and mastering suite.
Computers:
27" iMac
13" MacBook Pro
Mac Mini
Audio Interfaces:
Apogee Duet 2
Avid M-Box Mini 2
TC Electronic Desktop Konnect 6
Microphones:
AKG Perception 220
Rode NT1-A
Rode NTG-1
Shure SM58
AKG D5
Digital Audio Workstations:
ProTools
Adobe Audition
PreSonus Studio One
Hindenberg
Studio Monitors:
Yamaha MSP-7
M-Audio BX5a
Headphones:
Sennheiser 380HD Pro
Sennheiser 280HD Pro
My voice work comes out of a background in theatre that has been combined with extensive world travel.
I have experience of working on all four continents, in war and in peace, for travel and work.
I have seen a lot of the highs and lows of life both in myself and in others. The emotions and experiences of which, is transferred into the voice work that I create for my clients.
If you looking for an informed voice, with an innate ability to tell a story, then you won't go far wrong with me.