TK Kellman

Georgia Southern, Texas drawl, British, a hilarious old Yiddish man, and even some celebrity impersonations (Rodney Dangerfield, Archie Bunker, and others on request). I know I know, they are all dead now. How about Jack Nicholson or William Shatner? They're just about dead but at least still contemporary.

I've been doing voice overs and narrations for over thirty years, and I welcome the opportunity to present my profile and voice over demos for your project and throw my hat in the ring. And speaking of hats, I wear many of them. Voice Over Artist, actor, musician, composer,commercial producer and jingle writer; I have a passion for all of it. I've won many national and international awards over the years and hopefully, after you peruse my short demo you'll agree we could be a good fit. My commitment to you is to complete your project quickly and efficiently and exceed your expectations, all within your budget. Please feel free to contact me with any questions you may have. I'm looking forward to working with you on your projects. I started out in the sixties with my own studio and produced some very laughable commercials. I was very bad then, but after forty years you learn a few things and now I'm very good. As a voice over actor, jingle and commercial producer, and a musician who has played with numerous superstars and famous celebrities through the years. My show biz experience is extensive and I even acted in a few forgettable movies a few years ago. I've won the BPME International Gold Medallion Award for Best Small Market TV Campaign - KTNV Channel 13, Vegas, and 17 Regional ADDY Awards for Excellence in Commercial Advertising Production. I used to own Powerhouse Recording in Las Vegas, a state of the art recording studio that was also a large jingle production company. Now, I have a bit more modest (but very effective) home studio that has all the latest digital bells and whistles. I use Cubase 6.5 software instead of pro tools, although I'm comfortable with either one. I find the Cubase setup is an easier environment for me to work with on my PC based format. I have the usual array of digital reverbs, compressors, limiters, EQ's, and other enhancements, but if you can't deliver the acting goods, there is no talent substitute. I use a variety of mics but I always seem to go back to either a Neumann TLM 102 or a simple MXL V63M. Sometimes a Sennheiser 421 works well. Tannoy Near field monitors.