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Muazzam shabber

This voice actor appears to be inactive and might not be responsive.
  • Last online2 years ago

Playlists (1)

  • Punjabi voice over
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About Muazzam

  • Member sinceApr 14, 2023
My name Muazzam I am professional voice over with experience of 3 years I will receive voice over in Punjabi and Urdu as well

Skills and services offered

    • Language
      Punjabi
      Urdu
    • Voice gender & age
      Male adult
      Male young adult
      Male teenager
    • Creative services offered
      Audio editing and clean up
    • Recording and delivery options
      Digital delivery
      Remote live direction
    • Additional vocal abilities
      Range Sing with a tall posture. Breathe from the diaphragm. Relax your jaw as you sing higher. Feel for any tongue tension. Try vocal sirens. Sing lip trills.
    • Experience, training, and equipment
      Voice-overs are an essential ingredient in the creation of dynamic media. They can be an unseen character in a story, or just a friendly voice persuading you to buy pet food. Voice-overs are found in every form of media, from news reporting to experimental filmmaking. Even photo slideshows can benefit from a well-executed voice-over. Creating a voice-over isn’t difficult to do, and the basic hardware required is fairly inexpensive. However, the quality of your voice-overs will only be as good as the methods you use to capture and control the sound. This guide will help you understand the different options for voice-over equipment, and help you understand how to use the gear properly. This guide assumes that you’re creating a voice-over for a video (or a photo slideshow), and that you’re using a computer with video editing software as your primary tools. The same information can be applied to create voice-overs for audio podcasting, audio book production, recording ADR (additional dialog recording) and other kinds of multi-media projects. What equipment do I need to record voice-overs? The essential components of a voice-over studio are: Microphone: A microphone is required to capture the sound of the talent’s voice. The quality of your microphone will have a large impact on the overall quality of your recordings. Headphones: The talent needs to be able to hear the material, so headphones are essential. Microphone Stand: The talent shouldn’t physically handle the mic. When the mic stays in a fixed position on a mic stand, your recordings will be more consistent and even-sounding. Shock Mount: A shock mount suspends the microphone and helps reduce unwanted vibrations and rumbling. Pop filters: Sometimes mics pick up too much of the plosive and sibilant sounds that the mouth makes (“P” sounds pop and “S” sounds hiss). A pop filter is a screen that diffuses these sounds. Acoustic Treatment: Being able to hear the ambience of a room can be very distracting in a voice-over, so it must be controlled if you aim to