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Lauren AshMorgan

  • Last online2 months ago

Playlists (4)

  • Commercial
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  • Narration (E-Learning, Documentary, Video Narration)
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  • Full Commercial Demo
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  • Full Narration Demo
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About Lauren

(She/her)
  • Member sinceSep 3, 2025
  • LocationLondon, UK (GMT +1)
Lauren Ash-Morgan is a versatile American voice over artist and actor based in London, utilizing a background in theatre and film performance, music education, and EFL instruction to deliver exceptional performances from her broadcast-quality home studio.​ She has trained professionally in narration and commercial voice over, is excellent at taking direction, and can deliver a range of performance styles, from clear, articulate, and professional, to genuinely off-the-cuff and conversational. Pronunciation of Korean words within an English-language context is a particular specialty, having lived in Seoul for thirteen years. She is also a specialist in Shakespeare, deep text work, authentic character work, and emotionally and/or poetically heightened text.

Skills and services offered

    • Language
      English - USA and Canada
    • Voice gender & age
      Female young adult
      Female adult
    • Creative services offered
      Audio editing and clean up
      Script editing
    • Recording and delivery options
      Digital delivery
      On-site recording
        • Location
          London, UK
    • Additional vocal abilities
      Native Accents: General American (Northeastern Connecticut), trans-Atlantic/mid-Atlantic/“neutral” English
    • Experience, training, and equipment
      Sennheiser MKH 416, Neumann TLM103, Sennheiser MK4 Macbook Pro, REAPER Broadcast-quality home studio Professionally trained in narration and commercial voice over, primarily with James Andrews at Edge Studio Bachelor of Music in Music Education (Voice), Ithaca College M.A. Ethnomusicology, University of Maryland, College Park (Focus: Korean music and dance) TRAINING Voiceover: Commercial (private coaching), James Andrews, Edge Studio, 2022-2024 Voiceover: Narration (private coaching), Liz Drury, Danielle Quisenberry, and James Andrews, Edge Studio, 2021-2022 Acting: Shakespeare (online short course), Royal Central School of Speech and Drama, 2021 Audition Techniques (online short course), Royal Central School of Speech and Drama, 2021 Intro to Alexander Technique and Linklater (online short course), Shakespeare & Company, 2021 Summer Shakespeare Intensive, Prague Shakespeare Company (Voice, Original Pronunciation, Ensemble Work, Audition, Acting Shakespeare, First Folio, Original Practices, Rhetoric, Character Development, Clown, etc.) (Jim and Carolyn Johnson, Ben Crystal, Guy Roberts, Laura Cole, Sarah Enloe, Suzanne Dean, Rupesh Tillu, Eric Rasmussen, et al.) 2018 Pansori (Korean traditional singing), Moon Soo Hyun, National Theatre of Korea, 2016-2019 Sound--Play--Image--Speak! Text Workshop, Amy Ginther, Seoul Shakespeare Company, 2016 Acting & Singing with Archetypes (short course), Amy Ginther, Seoul Shakespeare Company, 2014 The Speaking Body, Moving Voice (workshop), Amy Ginther, Seoul Shakespeare Company, 2014 Korean traditional music and dance (various), Various teachers, National Gugak Center, 2005-2006, 2012-2016 M.A. Ethnomusicology (specialization: Korean music and dance), University of Maryland, College Park, 2006-2009 Pansori and Namdo Minyo (Korean traditional singing), Kim Eun Su, Washington Sorichung, 2008-2010 Korean traditional dance (various forms), Washington Korean Performing Arts Center, 2008-2010 Shakespeare scene study (summer course), Shakespeare Theatre Company, Washington, D.C., 2007 Acting for the Camera (summer course), Woolly Mammoth Theatre Company, Washington, D.C., 2007 Bachelor of Music in Music Education (Voice), Ithaca College, 2001-2005 Renaissance Dance (semester-long course), Cornell University, Spring 2002 Diction I and II for singers (two semester-long courses), Ithaca College School of Music, 2003-2004 Acting I (semester-long course), Ithaca College Department of Theater, 2002 Early music and dance (Renaissance, Baroque) (summer intensive), Amherst Early Music Festival, 2000, 2001 E.O. Smith Drama Program, E.O. Smith High School, 1997-2001 Kids’ Company, Greater Mansfield Council for the Arts, 1994-1999 TEACHING Acting Shakespeare’s Text (weekly Zoom courses with a new theme each month), Speech of Fire, online from Seoul, March-October 2022 Rhythm & Meter, Part 3: Breaking the Rhythm (Shakespeare's Late Plays) October 2022 Rhythm & Meter, Part 2: Mastering the Rhythm (Shakespeare's Middle Plays) September 2022 Rhythm & Meter, Part 1: Finding the Rhythm (Shakespeare's Early Plays) August 2022 Acting Shakespeare’s Text: Language in Action—Storytelling July 2022 Acting Shakespeare’s Text: Language in Action—Imagery and Sounds June 2022 Acting Shakespeare’s Text: Language and Action—Solving Problems May 2022 Acting Shakespeare’s Text: Language and Action—Persuasion and Negotiation April 2022 Acting Shakespeare’s Text: Nuts & Bolts March 2022 Private online coaching in Shakespeare performance, Speech of Fire, 2022-2023 Rehearsing Monologues and Scenes, Speech of Fire & Seoul Shakespeare Company, 2019 Movement and Ensemble, Seoul Shakespeare Company 2018; Speech of Fire & SSC, 2019 Acting Shakespeare’s Text, Seoul Shakespeare Company 2018; Speech of Fire & SSC, 2019 Exploring Gugak in Theatre Training, Seoul Shakespeare Company 2018; Speech of Fire & SSC, 2019 Preparing to Perform: Strategies for Approaching Shakespeare's Text, Seoul Shakespeare Company, 2016 “Shakesperiments” workshops, Seoul Shakespeare Company, 2014-2018