- Member sinceAug 11, 2005
- LocationPortland, OR, USA (GMT -7)
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Nick Hasselblad
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Nick Hasselblad
bass, low, authoritative, documentary, character
- Last online8 years ago
Nick Hasselblad
bass, low, authoritative, documentary, character
- Last online8 years ago
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About Nick
When my voiced changed at 13, it was as if Darth Vader suddenly began speaking through Don Knotts. Do you have any idea how strange it is when people begin addressing a puny 13 year old as "Sir?"
God gave me the instrument - with time and training I've learned how to play it. I can give you the focused, unique read that your particular needs demand. Whether you need a high-energy commercial read, an engaging and commanding book narration, a pleasant and reassuring voicemail message, a transparent Power Point narration, you name it, I will work to give you what you're looking for.
Skills and services offered
- LanguageEnglish - USA and Canada
- Voice gender & ageMale seniorMale adultMale young adultMale teenager
- Additional services offeredWrite the copyDeliver edited and finished voice overProduce complete and mastered radio adAdd musicAdd special effects
- Recording and delivery optionsDigital deliveryOn-site recording
- LocationPortland, OR, USA
- Additional vocal abilitiesGood ol' Frenchy Frenchman, dirty Commie rat-bastard villain, deep-bean-fruity-Cowboy-fer-real, James Earl Jones-style Vader (YOU are my son), that deep-breathy-Movie-Guy everybody seems to know and love, German (with or without monocle), Aussie, Scottish-Irish mutt something or other, Svenish, and others on-request I suppose.
- Experience, training, and equipmentI studied vocal performance at Portland State Universtiy with David Jimerson and received a BA in 1993. Before that I studied vocal performance at Bosie State University for one semester. In 1991 I attended National Broadcasting school concurrent with getting my BA. "Vocal Performance' means I was a music major with a focus on opera and classical music. Virtually all the training that has to do with creating and delivering a beautiful sound, as well as what's needed for emotional presence, can be directly applied to the particular demands of voiceovers. The intent with both fields is essentially the same: sell something. And I don't mean to be crass - your audience WANTS to be moved, WANTS to believe, WANTS to be pulled in and buy. I have live stage experience, which is extremely demanding - you only get one chance to make your delivery and sell the audience.
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