Freeman Davis

No present history /or experience applicable to my skills; however, if training is possible, I may be able to adapt some.

VIDEO DISC – ON CAMERA & VOICE-OVER • Digital Corporate Training Tape • Dorsey/Sandoz Corporate Training Tape • Security Mutual Insurance Corporate Training Tape • Godfather’s Pizza Corporate Training Tape • Boy’s Town USA - Videos for Parents • Nebraska Department of Social Services – Negotiating Training Tape • Mutual of Omaha Corporate Managers Training Tape • Kansas State University – Social Services Training Tape ALSO: LIVE PERFORMANCE • Opera Sage • Recital Stage • Concert Stage • Church Soloist • Dinner Club • Soloist: Mayor’s, Governor’s Prayer Breakfasts and other commemorative dinners and events • Speaker/Lecturer: Clubs, Corporations, Seminars & Workshops, and other group events TELEVISION • Host: Local Business Assistance Government Program – “The Bottom Line” • Host: Local Martin Luther King, Jr., Birthday Commemoration Program; “Realizing the Dream” • Host: Local Commemorative Program of the Assassination of Dr. Martin Luther King Jr. and Malcolm X; “Where is Hope When the Good Die Young” BROADCAST • Public Radio: Broadcaster & Narrator…Classical Public Radio-KUCV…Lincoln, Nebraska • Radio-Vocal Soloist…Facts of Faith Radio Broadcast…Los Angeles, California EDUCATION • B.A. in Voice & Opera Performance…The Juilliard School…New York, New York…1977 • Sociology…Major…Music…Minor…Oakwood College…Huntsville, Alabama…1967-70 VOICE INSTRUCTORS/COACHES • Voice Instructors: Madame Dumas Lee, Huntsville, Alabama; Hans J. Heinz, Juilliard School; Nina Hinson, Los Angeles, California; Jack Andriese, Redlands, California; Lynn Wickham, San Francisco, California • Professional Coaches: Viola Peters, Metropolitan Opera & Juilliard; Bertha Melnik, Juilliard; Martin Isepp, Covent Garden & Juilliard; Samuel Sanders, Juilliard; Natalie Lamonick, USC; Tito Gobbi, Metropolitan Opera; Maestro Jon Robertson, Redlands Symphony Not applicable to my personal availability, skills and accessible training. PERFORMANCE EXPERIENCE • Recitals & Concerts – across the United States: Handel’s “Messiah”; Hayden’s “Creation”; Brahm’s “Requiem”; Beethoven’s “9th Symphony”, “Choral Fantasy” and “Mass in C”; Verdi’s “Requiem”; Rossini’s “Stabat Mater”; Bach’s Cantatas; Dubois’ “Seven Last Words”; Durafle’s “Requiem”; Faure’s “Requiem”; Premiered new contemporary Song Cycle and an Oratorio…(most of these were performed as a bass-baritone and some more recently as a tenor soloist) • Operatic Roles: Bartolo in Mozart’s “Le Nozze Di Figaro”; Death in Gustav Holst’s “Savitri”; Sarastro in Mozart’s “The Magic Flute” • Opera Scenes: Benjamin Britten’s, “The Rape of Lucretia”; Rossini’s “Cinderella”; Puccini’s “La Boheme” • Church Soloist-Contracted: La Canada Presbyterian Church…La Canada, California…bass-baritone (6½years); First Plymouth Congregational Church…Lincoln, Nebraska…tenor (6 ½ years) • Commemorative/Other Events: Guest Soloist…Lincoln’s Mayor’s “Prayer Breakfast; Guest Soloist…Nebraska’s Governor’s “Prayer Breakfast”; Many other Special Events/Conferences, etc. • Broadcast Soloist: (reoccurring soloist)…“Facts of Faith Radio Broadcast”…Los Angeles, California Though my degree is in music performance and some minor subjects in behavioral sciences, I have been well equipped with leadership and people skills, and a public persona that has served me quite successfully in my most recent and previous administrative endeavors. My expertise has been recognized by numerous private and public organizations. I have had successful public appearances nationally, regionally, and locally demonstrating my varied skills and talents to the benefit of employers and collaborators while delivering the highest quality to targeted populations and markets. You will find in me over 30 years of experience and diversity of talents. An accumulated administrative and management history adds multidimensional impact to my level of professional and performance capabilities.