Alison Brantley


Voice Description

My voice has a classic quality of feminine warmth and wit delivered with a rich tone like Allison Janney. Some call it "like Butter." It has all the resonance and charm of a southern accent without the drawl (which, of course, can be added if desired). It can be sultry and sexy, refreshing and fun but always pleasing for commercials; intelligent, smooth, and authoritative for presentations or newscasts; melodic, emotional, and captivating for narrations.

Voice Genders and "Ages" I Can Perform

• Young Adult Female
• Middle Age Female
• Senior Female

Language(s) of Which I Am a Native Speaker:

• English - British
• English - USA and Canada

I Offer my Services for these Recording Purposes

• Commercials
• Promos
• IVR, voicemail, phone systems, and on-hold messages
• Training, business presentations, sales, and web sites
• Audiobooks
• Documentaries
• TV shows and movies
• Movie and game trailers
• Podcasts
• Songs

Jobs I Am Willing to Take (Union-wise)

• Non-Union Jobs

My Union Affiliations and Memberships


My Recording and Delivery Capabilities

• I will go to any designated studio in my area
• I can record and then deliver the audio files via Email

Pre-, Post- and Production Services I Offer

• I offer copywriting services
• I can deliver edited and finished voice tracks

My Home Base

, California, United States

Accents, Impersonations, Characters and Dialects

Upper class British (Downton Abbey), working class British (Eliza Doolittle pre-Henry Higgins or Helen Mirren in Prime Suspect), overly dramatic French (think female Pepe le Piu), Italian, New York or New Jersey working class or East Hampton lockjaw, American Southern, Southern Lady, Southern Redneck

My Voice Experience

My first voice over was ADR for a producer/friend of mine who needed to fill in the opening scene of her film. As a former executive overseeing ADR sessions for Miramax Films, I loved watching the creative skill it took to get just the right take, not to mention how much fun it was. Several years later, I met a creative executive for Chiat Day who asked me to a studio session to record a Toyota commercial. I began to take classes and train in voiceover.

My Training


STUDIED AT VOICE ONE, SAN FRANCISCO from August, 2011 - March 2013:
INTRO TO VO and Acting
Stepping Out
Narration Simple
Daytime Conservatory
By the Book
Long Form Narration
Home Recording I & II
Advanced Daytime Conservatory - 6 sessions
Adavanced Narration
Making it M.I.N.E.
Voice Over Boot Camp
Behind the Scenes
Long Form II: Audio Book


SCREENWRITER: Adapted the book SASTUN: MY APPRENTICESHIP WITH A MAYA HEALER for the screen and developed as independent film, 2002 - 2007.

INDEPENDENT FILM PRODUCER AND SALES AGENT, 1992-1995. Coproduced SUTURE, directed by David Siegel and Scott McGehee (WHAT MAISIE KNEW). Sold theatrical distribution rights to THE SAMUEL GOLDWYN COMPANY.

FILM EXECUTIVE: MIRAMAX FILMS, AVENUE PICTURES, 1987-1992. Film development and acquisition of such films as SEX, LIES AND VIDEOTAPE, MY LEFT FOOT, CINEMA PARADISO; THE COOK, THE THIEF, HIS WIFE AND HER LOVER; THE FIELD. Supervised post production prior to national theatrical release.

SALES EXECUTIVE: CHANNELS MAGAZINE (communications trade mag), Granada Television International (British TV Production company) 1982-1987


Duke University, 1973 - 1975
majored in Communications Public Policy and took voice lessons
University of North Carolina, Chapel Hill, Bachelor of Arts, 1975 - 1977
BA in History, Politcal Science

Private voice lessons in New York from 1985 - 1990.
Sang with Alex Donner Orchestra and jazz pianist at parties, 1988-89.
Singer in The Blue Hill Troupe, operetta group, New York City 1977 - 1980.
Lead soprano in Gilbert & Sullivan's PRINCESS IDA, 1973, Salem Academy, NC

Lead Vocal - ON THE VERGE
Lead Vocal - The Qwerkz

My Studio Equipment

RF-X Reflection Filter X

Additional Skills

I've worked with creative teams in New York, London, and Los Angeles on film sets and in post production studios.

I am a writer and an editor. I have written a screenplay, stage play, many articles, and essays.

Payment Methods Accepted


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Contact Information

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