Food Review ZD1447118
Full Buyout. This is for a section of the show where there is a narration of a review written for a dish at a restaurant. Should be delivered in a sensual, earnest, deliberate tone. Treat it as if it were the words were from a romantic, slightly erotic novel, but not over the top or in a comedic/ ironic voice.
2016-10-18 22:30:47 GMT
2016-10-27 18:00:00 (GMT -05:00) Eastern Time (US & Canada)
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Closed33330 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
Voice123 SmartCast is seeking 30 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 33 audition(s) and/or proposal(s) so far.
The Voice Actor should be located in:
Fixed - USD 500
Via TV: USA/ International
English - USA and Canada
Young Adult Female OR Middle Age Female OR Senior Female
• Audio files must be delivered via email OR • Audio files must be delivered via FTP/Dropbox/Google Drive/cloud
There are no special pre-, post-, or production requirements for this project.
This is a non-union project
Natural British Accent or American Accent. Both are acceptable, no impersonations, please.
Imagine an unsweetened bowl of oatmeal, tinted leprechaun green with puréed parsley, flavored with garlic, swimming with the black, elongated, frankly unattractive bodies of fried escargot.
The slippery texture of the oatmeal mimics what we imagine exudes from the snails: the earthy taste of the snails rhymes with what has been tamed out of the cereal and subsumed by a strong, bitter lashing of licorice, perhaps from a few drops of the liquor pastis.
Los Angeles has a long tradition of traveling chefs pinning down nights like DJs,
But Ludovic (Loo-doe-vick) Lefebvre’s (Le-Fev's) Ludo Bites (Read as one word: LudoBites) seems as much like a revolution as it does like a party.
this has the feeling of a transforming moment in the Los Angeles restaurant scene.
Jonathan Gold - November 6. 2007
Please note that you should only use the script or your recording of it for auditioning purposes. The script is property, unless otherwise specified, of the voice seeker and it is protected by international copyright laws.
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