Stephanie Jenkins

Voice Description

Low-key character voices and warm resonance for narrations and audiobooks; Wide range for commercials, from sexy to off-the-wall to motherly, and more; Lovely, clear, trained voice for jingles and songs; pleasant, nondescript diction for on hold messages.

Voice Genders and "Ages" I Can Perform

• Baby
• Child
• Teenage Girl
• Young Adult Female

Language(s) of Which I Am a Native Speaker:

• English - North American

I Offer my Services for these Recording Purposes

• Commercials
• Promos
• IVR, voicemail, phone systems, and on-hold messages
• Audiobooks
• Videogames
• Documentaries
• Movie and game trailers
• Podcasts
• Songs
• Others (on-camera, infomercials, live announcers, spokespersons)

Jobs I Am Willing to Take (Union-wise)

• Non-Union Jobs

• Jobs for AFTRA (US) signatories

• Jobs for British Equity signatories

• Jobs for SAG (US) signatories

My Union Affiliations and Memberships

None

My Recording and Delivery Capabilities

• I will go to any designated studio in my area

Pre-, Post- and Production Services I Offer

• I offer voice direction services

My Home Base

Boston, Eastern Massachusetts, Massachusetts, United States

Accents, Impersonations, Characters and Dialects

Formal training in General American, Elevated American (Trans-Atlantic), Irish, and RP (Standard British) dialects, with a quick ear for Russian, Scottish, Australian, New York, Boston, Southern, Cockney, London, Minnesota, and other American/English dialects.

My Voice Experience

Experience mostly with onstage acting and onstage or recorded singing. CD recorded with Dreamcatcher Studios (CT) as member of a capella singing group Pitches in Treble. Appeared as Luisa in Boston Conservatory production of The Fantasticks, and as a peer in Iolanthe. Desire to be the voice behind a cartoon character, with the dream of becoming the speaking and singing voice of the next Disney princess.

My Training

Current BFA candidate and Speech Assistant/tutor the Boston Conservatory; voice training includes singing training with Bill Cotten and vocal, diction, and dialect training with Jen Burke, Karen Kopryanski, and Catherine Fitzmaurice. Fluent in IPA. Further training at the Moscow Art Theatre School American Studio.

Extensive experience in theater: performed at the Boston Conservatory as ensemble in Iolanthe and Louisa in The Fantasticks; Marion in Glastonbury, CT's The Music Man; Bless the Lord in Glastonbury's Godspell; Irene in Glastonbury's Footloose; Rafiki in Glastonbury's Celebration of The Lion King; ensemble in Glastonbury's Once On This Island, Damn Yankees, and Les Miserables. Assistant Director for Glastonbury's Much Ado About Nothing; Musical Director for Glastonbury's Robin Hood Meets Cinderella and Destination Imagination. Technical assistant for Boston Conservatory's resident opera group, Guerilla Opera. Technical assistant for Boston Opera Collaborative's The Magic Flute.

My Studio Equipment

Unknown - Click here to ask Stephanie Jenkins

Additional Skills

With thirteen years of Suzuki training in violin, my ear is quite quick. While I do not have extensive recording experience, I have spent the last few years learning how to use my voice as an actor as well as a singer; this training, combined with exceptional listening and correctional skills and perfectionist mentality, leads me to believe that voiceover work and voice acting is a reasonable career choice. As mentioned above, I also love imitating other accents, creating different character voices, learning new dialects--and it is a cherished wish to be the voice of the next singing Disney princess. Whether or not this dream comes true, I know I have the training, ability, and willpower to make it in the voice over world, and am willing to take any work that comes my way.

Payment Methods Accepted

• Personal checks, cashier's checks, or money orders in my local currency
• Wire transfers

Contact Information

To contact Stephanie Jenkins by email or phone, please click here.