Theatrical Reading of Author Quote ZDLTK12138032878918X
Henry James was 65 when he wrote this quote, taken from his collection of essays, "Italian Hours." He was an American living in the US and Europe during the turn of the 20th century. He came from a wealthy, well-educated background. Please avoid heavy accents of any kind please.
2013-08-19 12:25:59 GMT
2013-08-23 12:00:00 (GMT -05:00) Eastern Time (US & Canada)
Yes (click here to learn more about )
Closed000 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
Voice123 SmartCast is seeking 10 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 0 audition(s) and/or proposal(s) so far.
The Voice Actor should be located in:
Fixed - USD 200
English - USA and Canada
• Audio files must be delivered via email OR • Audio files must be delivered via FTP/Dropbox/Google Drive/cloud
• Deliver edited and finished voice tracks
The Voice Actor should have at least 2 years of experience in the voice industry.
The voice seeker is willing to hire either union or non-union talents for this project
Yes***Please submit a custom demo***
AMERICAN MALE VOICE: The gondola waits at the wave-washed steps, and if you are wise you will take your place beside a discriminating companion. Such a companion in Venice should of course be of the sex that discriminates most finely. An intelligent woman who knows her Venice seems doubly intelligent, and it makes no woman's perceptions less keen to be aware that she can't help looking graceful as she is borne over the waves. The handsome Pasquale, with uplifted oar, awaits your command, knowing, in a general way, from observation of your habits, that your intention is to go to see a picture or two. It perhaps doesn't immensely matter what picture you choose: the whole affair is so charming. It is charming to wander through the light and shade of intricate canals, with perpetual architecture above you and perpetual fluidity beneath. It is charming to disembark at the polished steps of a little empty campo — a sunny shabby square with an old well in the middle, an old church on one side and tall Venetian windows looking down. Sometimes the windows are tenantless; sometimes a lady in a faded dressing-gown leans vaguely on the sill. There is always an old man holding out his hat for coppers; there are always three or four small boys dodging possible umbrella-pokes while they precede you, in the manner of custodians, to the door of the church.
Please note that you should only use the script or your recording of it for auditioning purposes. The script is property, unless otherwise specified, of the voice seeker and it is protected by international copyright laws.
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