Project Main Details
The script has been attached as well.
2010-06-03 19:44:39 GMT 2010-06-09 16:00:00 (GMT -08:00) Pacific Time (US & Canada) Yes (click here to learn more about ) Closed 0 0 0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far. Voice123 SmartCast is seeking 10 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 0 audition(s) and/or proposal(s) so far.
*********************************************** In February 1939 the Special Effects Department put in a request for me. When I was given a choice between my position in the process lab and the Special Effects Department, I chose the latter.
It is my belief that the Special Effects will be one of the most important production departments in the studio, and my engineering, photographic, and musical knowledge can be used to the studios best advantage in this department.
Special effects work is perhaps the most intensely specialized in all of production. For each scene a different process has to be worked out to produce the required optical illusions. In Fantasia the special effects were the most intricate ones ever used in motion pictures.
The transparent snowflakes are revolving by means of a planetary movement while they are traveling on small tracks toward the camera. During the shot the camera is being tilted down so that we see close-ups of the snowflakes at the end of the scene. View underneath the gag, showing planetary movements and rails. The rails are covered with black velvet before shooting each frame.
Sugar plum fairy sequence, first exposure: Pastel drawing on black, second exposure metal shavings on black. Two exposures together scintillating dew drops.
Actual volcano eruption photographs taken on one of my trips to Italy. Having been inside the crater of an erupting volcano, I was able to give valuable information.
Cups on hinges drop white paint in water. (This line was left out)
White negative ghosts travels on outside rim of drum. Distorted image in the mirror is shot by camera. Speed of revolving wheel is gradually increased to cause the ghost to disappear rapidly. (Please give me several reads of this – the rough version goes a little too long because you stretched it out from “Speed of revolving…..)
Rippling distortion is added by shooting background projection image thru distortion glasses.
Some of the larger multi-plane shots took several days and nights of continuous shooting. We had to live and sleep in the studio for the duration. (Several reads please – some shorter and some longer)
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