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2011-05-10 14:43:19 GMT 2011-05-14 14:00:00 (GMT -05:00) Eastern Time (US & Canada) Yes (click here to learn more about ) Closed 0 0 0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far. Voice123 SmartCast is seeking 50 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 0 audition(s) and/or proposal(s) so far.
From the moment the Jewish people were born, song and music were a key element of expression in their service of their Creator.
King David played a harp. His poems to Hashem became the Psalms, the most familiar songs of the Torah, with the power to elicit physical and spiritual healing and salvation.
And when the prophets would seek Divine sight, they used music to bring the spirit of prophesy upon them.
“Why were the Levites selected to sing in the Temple?” asks the holy Zohar. “Because ‘Levi’ means ‘to cleave.’ The soul of he who heard their singing, at once cleaved to its Creator.” (Zohar 2:19a)
After almost two millennia of exile, Rabbi Yisrael Baal Shem Tov restored music and song to their central place in the service of Hashem, establishing Niggun as one of the fundamental elements of the movement he founded.
His successor, the Maggid of Mezritch, would hold a regular session of Niggunim with his disciples.
One of his closest disciples, Rabbi Schneur Zalman, the Alter Rebbe, would apply the power of Niggun he learned from his master, to expand and deepen the intellectual capacities of his own students.
As its name implies, Sholosh Tenuos, “The Niggun of Three Movement,” is made up of three parts. The first movement was composed by the Baal Shem Tov himself; the second was added by his successor, the Maggid; and the crescendo is by Rabbi Schneur Zalman.
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