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Voice overs needed for promo video
LTK6308038718X
Dialogue and narration for a promotional video for a bestselling hor's upcoming book. 2-4 min
(1) Need woman's voice to have soft southern accent (character is approximately 28 years old)
(2) Need man's voice to have soft southern accent, be low and very sexy, but strong (man is a very tough guy) - approximate age 35
(3) Narrator, strong professional voice (this can be the same actor from 2 above if actor can do more than one voice)
Budget range 100-249 USD
Aug 17, 2006 14:11:26 (GMT -05:00) Eastern Time (US & Canada) Aug 24, 2006 00:00:00 (GMT -05:00) Eastern Time (US & Canada) No (click here to learn more about
)
Closed
85
22
0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
(1) Need woman's voice to have soft southern accent (character is approximately 28 years old)
(2) Need man's voice to have soft southern accent, be low and very sexy, but strong (man is a very tough guy) - approximate age 35
(3) Narrator, strong professional voice (this can be the same actor from 2 above if actor can do more than one voice)
Budget range 100-249 USD
Aug 17, 2006 14:11:26 (GMT -05:00) Eastern Time (US & Canada) Aug 24, 2006 00:00:00 (GMT -05:00) Eastern Time (US & Canada) No (click here to learn more about
)
Closed
85
22
0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
Project Parameters
None
Flexible - USD 249
Promos
English - North American
Not defined
Young Adult Female OR Young Adult Male OR Middle Age Female OR Middle Age Male
Not defined
There are no special pre-, post-, or production requirements for this project.
Not defined
Not defined
No
Not defined
Script Details
Yes
DANGEROUS GAME - PROMO" “DANGEROUS GAME” FADE IN: INT. DARK ROOM Light comes up enough to see Man sitting in a chair. He is bare-chested,wearing worn jeans – his tall frame
slouched in the chair, his legs splayed out before him as he starts into the camera with a brooding, hot look.
NARRATOR For year’s she’s haunted his dreams. The one woman he could not have.
CLINT Come over here.” (voice low,dark,suggestive)
CUT TO: INT. DARK ROOM Woman standing in front of a window her hands on the back of a chair, light bathing the front of her body. She’s wear tight jeans and a cropped off tank top, no bra. She turns and looks into the camera, pauses then slowly, seductively walks toward the camera. When she reaches mid-closeup, fade to black.
VOICEOVER Until now.
CUT TO: INT. DARK ROOM Man in chair lifts hand from chair arm, his fingers beckoning her closer.
CLINT “Closer”
CUT TO: INT. DARK ROOM: Woman standing in dark room.
MORGANNA “Why?” (mistrustful)
CUT TO: INT. DARK ROOM – man in chair Man gives camera a smirk and CLINT So I can show you why little girls shouldn’t play grown-up games.
(Sexy growl)Come on, Morganna, show me how grown up you think you are.
CUT TO: INT. DIM ROOM Woman (in club outfit)steps up to door and grabs doorknob. Turns it. It’s locked. She turns (hand still on knob) with an angry expression.
CUT TO: INT. DIM ROOM Man, standing. (in black jeans and t-shirt) He stalks over to woman at the door and runs his hand behind her head to grab her hair and pull her head back as he presses his body against hers. The woman looks at him with a mixture of defiance and lust.
CLINT Sexual, are you? Since when?
MORGANNA I don’t kiss and tell .A girl needs to have a little mystery, Clint. Just as he starts to kiss her there is pounding on the door. They both react and step away from the door.
EXT. NIGHT (PARKING LOT OR STREET) Woman crossing drive. Sudden light blinds her. She looks up into light. Man suddenly appears, grabs woman and dives to the street, rolling over on top of her to protect her as gunfire pelts around them. Man get up and drags woman up and they run behind a parked car. Gunfire all around them.
CUT TO: INT. NIGHT DARK ROOM Man walking slowly toward the camera smiling seductively as he strips off his tight t—shirt and takes his belt off.
CLINT I’m going to lay you back on that bed and show you exactly what you’re asking for by being at this club.
CUT TO: INT. NIGHT DARK ROOM Woman stands with hands on her hips, her eyes glued to the camera as if she is watching the man disrobe and approach her.
MORGANNA And should I cry daddy or uncle while you try? She arches her brow mockingly.
CUT TO: INT. NIGHT DARK ROOM Over shoulder of man. Woman sliding jeans down to reveal sexy underwear. As the pants slide down over her hips, she looks up at the man very provocatively. She steps out of the jeans and approaches the man, a slow sexy walk.
EXT. NIGHT OR TWILIGHT Man with gun in hand, his back against a wall, looking around a corner, his free hand on the woman’s arm who is behind him, pressed against the wall. She looks behind them and then back at him. He looks at her and releases her arm to gesture “stay still”.
VOICEOVER He’s about to discover that she’s far more than the innocent girl he imagined. She will realize that her fantasies of him cannot come close to the real thing.
CUT TO: INT. DARK ROOM Man has woman pinned against a wall, her arms above her head, wrists pinned in one of his hand. His free hand moves up from between her cleavage to tilt her head up. He claims her with a kiss.
VOICEOVER They both will discover that passion such as theirs can be more than desire that consumes.
EXT. NIGHT EXTERIOR OF JEEP Parked in front of a house. Couple sitting inside, engaged in a serious discussion
MORGANNA I have to find a life, Clint. A lover. Someone who sees something in me other than his best friend’s sister or a responsibility he can’t run away from this time.I love you. I’ve always loved you. For as long as I can remember. But I can’t continue to wait on a man who doesn’t even respect me enough to work with me. A man willing to steal years of my life for his own selfishness. I’ve worked for this assignment. I trained for it. And you pushed me out as though what I want, what I need, doesn’t even matter.
CUT TO: INT. NIGHT – INSIDE JEEP Focus on
CLINT.Silent and his expression hurt as he hears what Morganna has to say.
MORGANNA Goodbye, Clint.(Whisper) Just say goodbye. I don’t need a babysitter; I need a lover who’s willing to care. Drage might not love me, but he’s willing to put effort into some part of me. That’s more than you’ve ever done.
CUT TO: INT. NIGHT – INSIDE JEEP Morganna grips door latch, pulling it toward her to open the door when Clint catches her arm. She draws in a deep breath, as if steeling herself then turns her head to look at him.
CLINT I care … The effect of his words show on her face. She lifts her hand to touch his cheek.
MORGANNA Not enough (tearful whisper). Not enough for either of us, Clint. Morganna jumps out of the jeep and runs up the sidewalk or driveway toward the house.
CUT TO: INT. DARK ROOM Man and woman locked in passionate kiss. Kiss ends and she lays her the side of her face against his chest. They both turn to look into the camera. Camera closes in on the couple, then the man and freezes on him as the voiceover continues.
VOICEOVER It’s not whether you win or lose "DANGEROUS GAME - PROMO" “DANGEROUS GAME” FADE IN: INT. DARK ROOM Light comes up enough to see Man sitting in a chair. He is bare-chested,wearing worn jeans – his tall frame
slouched in the chair, his legs splayed out before him as he starts into the camera with a brooding, hot look.
NARRATOR For year’s she’s haunted his dreams. The one woman he could not have.
CLINT Come over here.” (voice low,dark,suggestive)
CUT TO: INT. DARK ROOM Woman standing in front of a window her hands on the back of a chair, light bathing the front of her body. She’s wear tight jeans and a cropped off tank top, no bra. She turns and looks into the camera, pauses then slowly, seductively walks toward the camera. When she reaches mid-closeup, fade to black.
VOICEOVER Until now.
CUT TO: INT. DARK ROOM Man in chair lifts hand from chair arm, his fingers beckoning her closer.
CLINT “Closer”
CUT TO: INT. DARK ROOM: Woman standing in dark room.
MORGANNA “Why?” (mistrustful)
CUT TO: INT. DARK ROOM – man in chair Man gives camera a smirk and CLINT So I can show you why little girls shouldn’t play grown-up games.
(Sexy growl)Come on, Morganna, show me how grown up you think you are.
CUT TO: INT. DIM ROOM Woman (in club outfit)steps up to door and grabs doorknob. Turns it. It’s locked. She turns (hand still on knob) with an angry expression.
CUT TO: INT. DIM ROOM Man, standing. (in black jeans and t-shirt) He stalks over to woman at the door and runs his hand behind her head to grab her hair and pull her head back as he presses his body against hers. The woman looks at him with a mixture of defiance and lust.
CLINT Sexual, are you? Since when?
MORGANNA I don’t kiss and tell .A girl needs to have a little mystery, Clint. Just as he starts to kiss her there is pounding on the door. They both react and step away from the door.
EXT. NIGHT (PARKING LOT OR STREET) Woman crossing drive. Sudden light blinds her. She looks up into light. Man suddenly appears, grabs woman and dives to the street, rolling over on top of her to protect her as gunfire pelts around them. Man get up and drags woman up and they run behind a parked car. Gunfire all around them.
CUT TO: INT. NIGHT DARK ROOM Man walking slowly toward the camera smiling seductively as he strips off his tight t—shirt and takes his belt off.
CLINT I’m going to lay you back on that bed and show you exactly what you’re asking for by being at this club.
CUT TO: INT. NIGHT DARK ROOM Woman stands with hands on her hips, her eyes glued to the camera as if she is watching the man disrobe and approach her.
MORGANNA And should I cry daddy or uncle while you try? She arches her brow mockingly.
CUT TO: INT. NIGHT DARK ROOM Over shoulder of man. Woman sliding jeans down to reveal sexy underwear. As the pants slide down over her hips, she looks up at the man very provocatively. She steps out of the jeans and approaches the man, a slow sexy walk.
EXT. NIGHT OR TWILIGHT Man with gun in hand, his back against a wall, looking around a corner, his free hand on the woman’s arm who is behind him, pressed against the wall. She looks behind them and then back at him. He looks at her and releases her arm to gesture “stay still”.
VOICEOVER He’s about to discover that she’s far more than the innocent girl he imagined. She will realize that her fantasies of him cannot come close to the real thing.
CUT TO: INT. DARK ROOM Man has woman pinned against a wall, her arms above her head, wrists pinned in one of his hand. His free hand moves up from between her cleavage to tilt her head up. He claims her with a kiss.
VOICEOVER They both will discover that passion such as theirs can be more than desire that consumes.
EXT. NIGHT EXTERIOR OF JEEP Parked in front of a house. Couple sitting inside, engaged in a serious discussion
MORGANNA I have to find a life, Clint. A lover. Someone who sees something in me other than his best friend’s sister or a responsibility he can’t run away from this time.I love you. I’ve always loved you. For as long as I can remember. But I can’t continue to wait on a man who doesn’t even respect me enough to work with me. A man willing to steal years of my life for his own selfishness. I’ve worked for this assignment. I trained for it. And you pushed me out as though what I want, what I need, doesn’t even matter.
CUT TO: INT. NIGHT – INSIDE JEEP Focus on
CLINT.Silent and his expression hurt as he hears what Morganna has to say.
MORGANNA Goodbye, Clint.(Whisper) Just say goodbye. I don’t need a babysitter; I need a lover who’s willing to care. Drage might not love me, but he’s willing to put effort into some part of me. That’s more than you’ve ever done.
CUT TO: INT. NIGHT – INSIDE JEEP Morganna grips door latch, pulling it toward her to open the door when Clint catches her arm. She draws in a deep breath, as if steeling herself then turns her head to look at him.
CLINT I care … The effect of his words show on her face. She lifts her hand to touch his cheek.
MORGANNA Not enough (tearful whisper). Not enough for either of us, Clint. Morganna jumps out of the jeep and runs up the sidewalk or driveway toward the house.
CUT TO: INT. DARK ROOM Man and woman locked in passionate kiss. Kiss ends and she lays her the side of her face against his chest. They both turn to look into the camera. Camera closes in on the couple, then the man and freezes on him as the voiceover continues.
VOICEOVER It’s not whether you win or lose
slouched in the chair, his legs splayed out before him as he starts into the camera with a brooding, hot look.
NARRATOR For year’s she’s haunted his dreams. The one woman he could not have.
CLINT Come over here.” (voice low,dark,suggestive)
CUT TO: INT. DARK ROOM Woman standing in front of a window her hands on the back of a chair, light bathing the front of her body. She’s wear tight jeans and a cropped off tank top, no bra. She turns and looks into the camera, pauses then slowly, seductively walks toward the camera. When she reaches mid-closeup, fade to black.
VOICEOVER Until now.
CUT TO: INT. DARK ROOM Man in chair lifts hand from chair arm, his fingers beckoning her closer.
CLINT “Closer”
CUT TO: INT. DARK ROOM: Woman standing in dark room.
MORGANNA “Why?” (mistrustful)
CUT TO: INT. DARK ROOM – man in chair Man gives camera a smirk and CLINT So I can show you why little girls shouldn’t play grown-up games.
(Sexy growl)Come on, Morganna, show me how grown up you think you are.
CUT TO: INT. DIM ROOM Woman (in club outfit)steps up to door and grabs doorknob. Turns it. It’s locked. She turns (hand still on knob) with an angry expression.
CUT TO: INT. DIM ROOM Man, standing. (in black jeans and t-shirt) He stalks over to woman at the door and runs his hand behind her head to grab her hair and pull her head back as he presses his body against hers. The woman looks at him with a mixture of defiance and lust.
CLINT Sexual, are you? Since when?
MORGANNA I don’t kiss and tell .A girl needs to have a little mystery, Clint. Just as he starts to kiss her there is pounding on the door. They both react and step away from the door.
EXT. NIGHT (PARKING LOT OR STREET) Woman crossing drive. Sudden light blinds her. She looks up into light. Man suddenly appears, grabs woman and dives to the street, rolling over on top of her to protect her as gunfire pelts around them. Man get up and drags woman up and they run behind a parked car. Gunfire all around them.
CUT TO: INT. NIGHT DARK ROOM Man walking slowly toward the camera smiling seductively as he strips off his tight t—shirt and takes his belt off.
CLINT I’m going to lay you back on that bed and show you exactly what you’re asking for by being at this club.
CUT TO: INT. NIGHT DARK ROOM Woman stands with hands on her hips, her eyes glued to the camera as if she is watching the man disrobe and approach her.
MORGANNA And should I cry daddy or uncle while you try? She arches her brow mockingly.
CUT TO: INT. NIGHT DARK ROOM Over shoulder of man. Woman sliding jeans down to reveal sexy underwear. As the pants slide down over her hips, she looks up at the man very provocatively. She steps out of the jeans and approaches the man, a slow sexy walk.
EXT. NIGHT OR TWILIGHT Man with gun in hand, his back against a wall, looking around a corner, his free hand on the woman’s arm who is behind him, pressed against the wall. She looks behind them and then back at him. He looks at her and releases her arm to gesture “stay still”.
VOICEOVER He’s about to discover that she’s far more than the innocent girl he imagined. She will realize that her fantasies of him cannot come close to the real thing.
CUT TO: INT. DARK ROOM Man has woman pinned against a wall, her arms above her head, wrists pinned in one of his hand. His free hand moves up from between her cleavage to tilt her head up. He claims her with a kiss.
VOICEOVER They both will discover that passion such as theirs can be more than desire that consumes.
EXT. NIGHT EXTERIOR OF JEEP Parked in front of a house. Couple sitting inside, engaged in a serious discussion
MORGANNA I have to find a life, Clint. A lover. Someone who sees something in me other than his best friend’s sister or a responsibility he can’t run away from this time.I love you. I’ve always loved you. For as long as I can remember. But I can’t continue to wait on a man who doesn’t even respect me enough to work with me. A man willing to steal years of my life for his own selfishness. I’ve worked for this assignment. I trained for it. And you pushed me out as though what I want, what I need, doesn’t even matter.
CUT TO: INT. NIGHT – INSIDE JEEP Focus on
CLINT.Silent and his expression hurt as he hears what Morganna has to say.
MORGANNA Goodbye, Clint.(Whisper) Just say goodbye. I don’t need a babysitter; I need a lover who’s willing to care. Drage might not love me, but he’s willing to put effort into some part of me. That’s more than you’ve ever done.
CUT TO: INT. NIGHT – INSIDE JEEP Morganna grips door latch, pulling it toward her to open the door when Clint catches her arm. She draws in a deep breath, as if steeling herself then turns her head to look at him.
CLINT I care … The effect of his words show on her face. She lifts her hand to touch his cheek.
MORGANNA Not enough (tearful whisper). Not enough for either of us, Clint. Morganna jumps out of the jeep and runs up the sidewalk or driveway toward the house.
CUT TO: INT. DARK ROOM Man and woman locked in passionate kiss. Kiss ends and she lays her the side of her face against his chest. They both turn to look into the camera. Camera closes in on the couple, then the man and freezes on him as the voiceover continues.
VOICEOVER It’s not whether you win or lose "DANGEROUS GAME - PROMO" “DANGEROUS GAME” FADE IN: INT. DARK ROOM Light comes up enough to see Man sitting in a chair. He is bare-chested,wearing worn jeans – his tall frame
slouched in the chair, his legs splayed out before him as he starts into the camera with a brooding, hot look.
NARRATOR For year’s she’s haunted his dreams. The one woman he could not have.
CLINT Come over here.” (voice low,dark,suggestive)
CUT TO: INT. DARK ROOM Woman standing in front of a window her hands on the back of a chair, light bathing the front of her body. She’s wear tight jeans and a cropped off tank top, no bra. She turns and looks into the camera, pauses then slowly, seductively walks toward the camera. When she reaches mid-closeup, fade to black.
VOICEOVER Until now.
CUT TO: INT. DARK ROOM Man in chair lifts hand from chair arm, his fingers beckoning her closer.
CLINT “Closer”
CUT TO: INT. DARK ROOM: Woman standing in dark room.
MORGANNA “Why?” (mistrustful)
CUT TO: INT. DARK ROOM – man in chair Man gives camera a smirk and CLINT So I can show you why little girls shouldn’t play grown-up games.
(Sexy growl)Come on, Morganna, show me how grown up you think you are.
CUT TO: INT. DIM ROOM Woman (in club outfit)steps up to door and grabs doorknob. Turns it. It’s locked. She turns (hand still on knob) with an angry expression.
CUT TO: INT. DIM ROOM Man, standing. (in black jeans and t-shirt) He stalks over to woman at the door and runs his hand behind her head to grab her hair and pull her head back as he presses his body against hers. The woman looks at him with a mixture of defiance and lust.
CLINT Sexual, are you? Since when?
MORGANNA I don’t kiss and tell .A girl needs to have a little mystery, Clint. Just as he starts to kiss her there is pounding on the door. They both react and step away from the door.
EXT. NIGHT (PARKING LOT OR STREET) Woman crossing drive. Sudden light blinds her. She looks up into light. Man suddenly appears, grabs woman and dives to the street, rolling over on top of her to protect her as gunfire pelts around them. Man get up and drags woman up and they run behind a parked car. Gunfire all around them.
CUT TO: INT. NIGHT DARK ROOM Man walking slowly toward the camera smiling seductively as he strips off his tight t—shirt and takes his belt off.
CLINT I’m going to lay you back on that bed and show you exactly what you’re asking for by being at this club.
CUT TO: INT. NIGHT DARK ROOM Woman stands with hands on her hips, her eyes glued to the camera as if she is watching the man disrobe and approach her.
MORGANNA And should I cry daddy or uncle while you try? She arches her brow mockingly.
CUT TO: INT. NIGHT DARK ROOM Over shoulder of man. Woman sliding jeans down to reveal sexy underwear. As the pants slide down over her hips, she looks up at the man very provocatively. She steps out of the jeans and approaches the man, a slow sexy walk.
EXT. NIGHT OR TWILIGHT Man with gun in hand, his back against a wall, looking around a corner, his free hand on the woman’s arm who is behind him, pressed against the wall. She looks behind them and then back at him. He looks at her and releases her arm to gesture “stay still”.
VOICEOVER He’s about to discover that she’s far more than the innocent girl he imagined. She will realize that her fantasies of him cannot come close to the real thing.
CUT TO: INT. DARK ROOM Man has woman pinned against a wall, her arms above her head, wrists pinned in one of his hand. His free hand moves up from between her cleavage to tilt her head up. He claims her with a kiss.
VOICEOVER They both will discover that passion such as theirs can be more than desire that consumes.
EXT. NIGHT EXTERIOR OF JEEP Parked in front of a house. Couple sitting inside, engaged in a serious discussion
MORGANNA I have to find a life, Clint. A lover. Someone who sees something in me other than his best friend’s sister or a responsibility he can’t run away from this time.I love you. I’ve always loved you. For as long as I can remember. But I can’t continue to wait on a man who doesn’t even respect me enough to work with me. A man willing to steal years of my life for his own selfishness. I’ve worked for this assignment. I trained for it. And you pushed me out as though what I want, what I need, doesn’t even matter.
CUT TO: INT. NIGHT – INSIDE JEEP Focus on
CLINT.Silent and his expression hurt as he hears what Morganna has to say.
MORGANNA Goodbye, Clint.(Whisper) Just say goodbye. I don’t need a babysitter; I need a lover who’s willing to care. Drage might not love me, but he’s willing to put effort into some part of me. That’s more than you’ve ever done.
CUT TO: INT. NIGHT – INSIDE JEEP Morganna grips door latch, pulling it toward her to open the door when Clint catches her arm. She draws in a deep breath, as if steeling herself then turns her head to look at him.
CLINT I care … The effect of his words show on her face. She lifts her hand to touch his cheek.
MORGANNA Not enough (tearful whisper). Not enough for either of us, Clint. Morganna jumps out of the jeep and runs up the sidewalk or driveway toward the house.
CUT TO: INT. DARK ROOM Man and woman locked in passionate kiss. Kiss ends and she lays her the side of her face against his chest. They both turn to look into the camera. Camera closes in on the couple, then the man and freezes on him as the voiceover continues.
VOICEOVER It’s not whether you win or lose
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