Hamas Audiobook

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Project Main Details

Hamas Audiobook 
In need of a strong reader for a non-fiction account of a son, who protected his father, a leader in Hamas, in ways his father would never approve of.

The publisher is asking for a subtle Arabic accent. Pronunciation of both Arabic and Israeli names will be important.

The publisher is offering $.03 cents a word for this read. 
2009-05-13 17:33:10 GMT
2009-05-17 17:00:00 (GMT -06:00) Central Time (US & Canada) 
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0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
Voice123 SmartCast is seeking 60 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 1 audition(s) and/or proposal(s) so far.

Project Parameters

The Voice Actor should be located in:
Fixed - USD 2040
68000 Words
English - Other
Middle Age Male OR Senior Male
• Audio files must be delivered via FTP/Dropbox/Google Drive/cloud
There are no special pre-, post-, or production requirements for this project.
Not defined
This is a non-union project

Script Details

In the United States that year, an Egyptian bureaucrat named
Sayyid Qutb was studying the American education system. What he
really learned, however, was a deep disgust and hatred for all
things American. Qutb’s commentary on the Qu’ran, Fi Zilal al-Qur’an, and an lslamic manifesto called Ma’alim fi-l-Tariq (Milestone) became two of the most inflammatory and widely read books in Islam.

“Western civilization is unable to present any healthy values for the
guidance of mankind,” he wrote in the introduction tp Milestone. “It
knows that it does not possess anything which will satisfy its own
conscience and justify its existence.”

Qutb’s books spread hatred of the West and recruited countless
people to the Muslim Brotherhood, of which Qutb became a leader
on a level with Hassan al-Banna.

Now you can begin to see the progression from the organization’s
moral and social agenda under Hassan al-Banna to the nationalist
ideas of Qutb. 
Please note that you should only use the script or your recording of it for auditioning purposes. The script is property, unless otherwise specified, of the voice seeker and it is protected by international copyright laws.

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