Project Main Details
(MUSIC BEGINS-BEATING OF AFRICAN DRUMS)
Illustrate a far distance view of Egypt and the pyramids at dawn. A convoy of sorts is traveling across the sands. The convoy consists of hover platforms pulled by manned hover carriers. There are some armored men with weapons on foot behind the carriers and along the sides. From this distance they are shadowed.
EXT. EGYPTIAN PYRAMID
A closer view of the convoy. It has stopped and is positioned near a pyramid. We see Dr. Craston dressed in armor as well. He’s scanning the area with a rather cumbersome looking device that sits on his shoulders and covers his head masking his features. The device is projecting the area below the surface as a holographic image. The image is of an ancient tunnel system.
For centuries... sought after... and coveted.
From the holy grail to the fountain of youth.
INT. TUNNEL SYSTEM
Establish a view of the Dr. Craston leading his team through the tunnels. Some of the men are carrying illuminated staffs to light the way.
INT. BURIAL CHAMGER
An over head view of Dr. Craston within a richly preserved burial chamber and standing over a tomb as his men open it. He is removing the device he was wearing.
...It has been found.
INT. BURIAL CHAMBER-DR CRASTON
A close view of Dr. Craston holding up the skull of a vampire. The skull has an Egyptian head dress. The fangs are visible.
Twenty years and I finally have him.
INT. GENE TECH LABS
An interior view of Gene Tech labs. Holographic images of a DNA strand floats around the area. Lab techs are busy at work at numerous stations. In the center is a clear cylinder vat of liquid where an embryo is floating. Dr. Craston is observing.
..But at what cost
INT. GENE TECH
Two techs, one woman, one man are monitoring the DNA strand on monitors as its components are extracted and it slowly regenerates itself. Both have expressions of amazement mixed with fear.
From creators ...
INT. GENE TECH LABS
A view of one of the techs approaching Dr. Craston in a hurry. She is very disturbed by her findings.
Dwayne Fegurson, Mshindo Kuumba and Roosevelt Pitt, Jr.
Doctor! We have to stop this. Our findings suggest--
INT. GENE TECH LABS CLOSE VIEW
The tech and Dr. Craston exchange words.
Presenting an AMARA Entertainment, Diehard Studios and Mshindo I Creations production..
They suggest Nothing! We will stay on schedule!
Sir, we can’t ignore this.
You will ignore it. Understand this..
INT. GENE TECH LABS
Establish sequential time lapses images of the embryo growing to maturity within the clear vat. The first image is of Craston and the tech. The other three are of Craston standing alone admiring his creation.
will stop me from learning your secrets.
INT. GENE TECH LABS WITHIN A HOLDING CHAMBER
Establishing a shot of Lechron tossing lab techs around like rag dolls outside his containment cell. One tech is standing nearby in a hypnotic state.
Prepare your senses!
INT. CLOSER VIEW OF LECHRON
Establish a shot of Lechron absorbing the body of the tech.
For an adventure never experienced! And an evil never before seen! From a graphic novel of huge proportions.
Establish a view of Lechron (in the form of a tech) snapping the neck of a guard.
Based on a story by Dwayne Ferguson and Roosevelt Pitt, Jr.
EXT. OUSTSIDE WALL OF GENE TECH
Illustrate a shot of Lechron bursting through a wall to the outside of the Gene Tech building. It’s night time.
EXT. SHOT OF GENE TECH GROUNDS-NIGHT
Establish a distant shot of Lechron on the grounds and scaling easily over a security fence.
FADE TO BLACK
SERIES OF SHOTS
(A) A view of Prince Najee accompanied by a lovely woman exiting a limo. Paparazzi are taking photos. Camera flashes light up the night.
(B) A view of a tattered Captain Africa leaping and slashing Lechron across the chest with his mystic sword. They are in the middle of a city street that displays lots of destruction. Burning cars, torn concrete etc. Pan in close to Captain Africa’s face.
(C) A view of Richard Kincaid accompanied by a lovely woman exiting the other side of the limo.
(D) A view of a battered Purge following Captain Africa’s strike with a leaping side kick to Lechron’s face. The blow nearly takes Lechron’s head off. Purge has his weapons in hand and lands on his feet. Pan in close to Purge’s face. Lechron’s gash has nearly healed.
(E) A view of a lovely dressed Monica Debrau sitting at a restaurant table with a date. Camera pans closer as we notice her look at her blackberry that has emitted a shriek. She looks at it and a small holographic image of Lechron appears. Her expression changes to one of determination.
(F) A shot of Zentra dropping down from an unknown height with her sword drawn. She slashes Lechron across the back. Camera pans in close to Zentra’s face.
(G) Lechron screams. Camera pans and follows the scream to its source right down Lechron’s throat and into darkness.
Immortality has a price!
Will learn just how much.
FADE TO BLACK
BACK TO SCENE
EXT. CITY OF EGYPTICA-NIGHT
Establish a frontal view of Captain Africa and Purge scaling the roofs of Egyptica. It’s a nighttime shot and the moon is high. Merge an image of an enraged Lechron on his knees with blood covered hands.
Captain Africa and Purge
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