Project Main Details
2009-04-06 20:49:16 GMT 2009-04-30 20:00:00 (GMT -05:00) Eastern Time (US & Canada) Yes (click here to learn more about ) Closed 12 12 0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far. Voice123 SmartCast is seeking 50 auditions and/or proposals for this project (approx.) Invitations sent by SmartCast have resulted in 12 audition(s) and/or proposal(s) so far.
• Audio files must be delivered by regular mail
On December 8th, 1980, Mark Chapman shot and killed John Lennon. On March 31st, 1981, John Hinckley shot and wounded President Reagan. Both men are members of a uniquely American phenomenon: the assassin who kills not from any political ideology, but as a result of a personality disorder or failed dreams. “I must have fame,” cried John Wilkes Booth, and then established himself as the first of the modern American assassins. Booth was clearheaded and precise about the psychic rewards and second hand renown that come with dispatching a famous man. “What a glorious opportunity for a man to immortalize himself by killing Abraham Lincoln,” he remarked, two years before his crime. Most, but not all, American assassins fit this group portrait: a young white male, a failure and a drifter, unloved and unloving. Sexually dissatisfied, he has little or no contact with women. Ordinary murderers often come from violent homes or were violent as youngsters, but the assassins are deceptively calm and even passive. The pattern is that of a shy, well behaved, often passive loner, whose efforts to control himself succeed until pressures explode in an assassination attempt.
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