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2800997
2800997
Hi. My company is producing a number of European audio tours.
We need an announcer with a british commonwealth or Euro/Italian accent. You will need to have a “home” studio to record and send mp3 files.
Please email me with your interest and mp3.
Example Script below for you to demo...
TIM FOWLER
WWW.SOUNDASYLUM.COM
108 S. 12TH ST. TAMPA, FL 33602
813-354-9221 fax: 813-864-2096
Feb 18, 2005 12:16:35 (GMT -05:00) Eastern Time (US & Canada) Feb 25, 2005 00:00:00 (GMT -05:00) Eastern Time (US & Canada) No (click here to learn more about
)
Closed
39
15
0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
We need an announcer with a british commonwealth or Euro/Italian accent. You will need to have a “home” studio to record and send mp3 files.
Please email me with your interest and mp3.
Example Script below for you to demo...
TIM FOWLER
WWW.SOUNDASYLUM.COM
108 S. 12TH ST. TAMPA, FL 33602
813-354-9221 fax: 813-864-2096
Feb 18, 2005 12:16:35 (GMT -05:00) Eastern Time (US & Canada) Feb 25, 2005 00:00:00 (GMT -05:00) Eastern Time (US & Canada) No (click here to learn more about
)
Closed
39
15
0 direct invitation(s) have been sent by the voice seeker resulting in 0 audition(s) and/or proposal(s) so far.
Project Parameters
None
To be defined
Promos
English - British
Not defined
Young Adult Female OR Young Adult Male OR Middle Age Female OR Middle Age Male OR Senior Female OR Senior Male
Not defined
There are no special pre-, post-, or production requirements for this project.
Not defined
Not defined
No
Not defined
Script Details
Yes
Hi. My company is producing a number of European audio tours.
We need an announcer with a british commonwealth or Euro/Italian accent. You will need to have a “home” studio to record and send mp3 files.
Please email me with your interest and mp3.
Example Script below for you to demo...
TIM FOWLER
WWW.SOUNDASYLUM.COM
108 S. 12TH ST. TAMPA, FL 33602
813-354-9221 fax: 813-864-2096
Built and decorated by Bartolomeo Bon between 1438 and 1442, the Porta della Carta is a perfect example of “Flamboyant Gothic.” From its symmetrical arrangement of sculptures of the Virtues, Temperance and Fortitude and Prudence and Charity, attributed to Antonio Bregno, to its arched window, matching spires, bust of St. Mark, and capped with a statue of Justice, this is, as the Latin inscription reads, an opus bartholmei, or a masterpiece of Bartolomeo Bon's.
Just above the cornice or ledge above the door, there is a sculpture of Francesco Foscari, the doge at the time of its completion, kneeling before Venice's prime symbol, the winged lion of St. Mark After 1032; the doge was no longer a hereditary position, but rather one of election. As will be explained later in great detail, the doge possessed no absolute power. He was subjected to many layers of government and he had to be respectful of Venetian law at all times, thus
Doge Foscari is on his knees before the symbol of the city. Many of the original statues here were destroyed in the Napoleonic takeover of 1797, and what you see are copies. Turn to your left to view the four Moors, a small grouping of red knights. (middle eastern music)
On your left as you face the Porta della Carta is the small grouping of red knights carved from porphyry, a purplish red volcanic rock. Who are they? No one knows for sure, though it is probable they were taken from Syria. Note that the friendliness of their embraces does not match the looks in their eyes or the grasps on their sword hilts. Some say that St. Mark appeared to these enemies of the state and turned them to stone. Another legend has them as a group of Moors or Arabs who stole from the city's treasury and ended up killing each other after a squabble over the loot. Still another legend suggests four brothers, not Venetian of course, who pair off over a stolen cargo and simultaneously poison each other, leaving their riches for Venice herself. It is also possible, and more than likely, that they are four Roman Emperors, Diocletian, Maximian, Galerious and Constantius, embracing each other to signify the unity of the Empire. Built and decorated by Bartolomeo Bon between 1438 and 1442, the Porta della Carta is a perfect example of “Flamboyant Gothic.” From its symmetrical arrangement of sculptures of the Virtues, Temperance and Fortitude and Prudence and Charity, attributed to Antonio Bregno, to its arched window, matching spires, bust of St. Mark, and capped with a statue of Justice, this is, as the Latin inscription reads, an opus bartholmei, or a masterpiece of Bartolomeo Bon's.
Just above the cornice or ledge above the door, there is a sculpture of Francesco Foscari, the doge at the time of its completion, kneeling before Venice's prime symbol, the winged lion of St. Mark After 1032; the doge was no longer a hereditary position, but rather one of election. As will be explained later in great detail, the doge possessed no absolute power. He was subjected to many layers of government and he had to be respectful of Venetian law at all times, thus
Doge Foscari is on his knees before the symbol of the city. Many of the original statues here were destroyed in the Napoleonic takeover of 1797, and what you see are copies. Turn to your left to view the four Moors, a small grouping of red knights. (middle eastern music)
On your left as you face the Porta della Carta is the small grouping of red knights carved from porphyry, a purplish red volcanic rock. Who are they? No one knows for sure, though it is probable they were taken from Syria. Note that the friendliness of their embraces does not match the looks in their eyes or the grasps on their sword hilts. Some say that St. Mark appeared to these enemies of the state and turned them to stone.
We need an announcer with a british commonwealth or Euro/Italian accent. You will need to have a “home” studio to record and send mp3 files.
Please email me with your interest and mp3.
Example Script below for you to demo...
TIM FOWLER
WWW.SOUNDASYLUM.COM
108 S. 12TH ST. TAMPA, FL 33602
813-354-9221 fax: 813-864-2096
Built and decorated by Bartolomeo Bon between 1438 and 1442, the Porta della Carta is a perfect example of “Flamboyant Gothic.” From its symmetrical arrangement of sculptures of the Virtues, Temperance and Fortitude and Prudence and Charity, attributed to Antonio Bregno, to its arched window, matching spires, bust of St. Mark, and capped with a statue of Justice, this is, as the Latin inscription reads, an opus bartholmei, or a masterpiece of Bartolomeo Bon's.
Just above the cornice or ledge above the door, there is a sculpture of Francesco Foscari, the doge at the time of its completion, kneeling before Venice's prime symbol, the winged lion of St. Mark After 1032; the doge was no longer a hereditary position, but rather one of election. As will be explained later in great detail, the doge possessed no absolute power. He was subjected to many layers of government and he had to be respectful of Venetian law at all times, thus
Doge Foscari is on his knees before the symbol of the city. Many of the original statues here were destroyed in the Napoleonic takeover of 1797, and what you see are copies. Turn to your left to view the four Moors, a small grouping of red knights. (middle eastern music)
On your left as you face the Porta della Carta is the small grouping of red knights carved from porphyry, a purplish red volcanic rock. Who are they? No one knows for sure, though it is probable they were taken from Syria. Note that the friendliness of their embraces does not match the looks in their eyes or the grasps on their sword hilts. Some say that St. Mark appeared to these enemies of the state and turned them to stone. Another legend has them as a group of Moors or Arabs who stole from the city's treasury and ended up killing each other after a squabble over the loot. Still another legend suggests four brothers, not Venetian of course, who pair off over a stolen cargo and simultaneously poison each other, leaving their riches for Venice herself. It is also possible, and more than likely, that they are four Roman Emperors, Diocletian, Maximian, Galerious and Constantius, embracing each other to signify the unity of the Empire. Built and decorated by Bartolomeo Bon between 1438 and 1442, the Porta della Carta is a perfect example of “Flamboyant Gothic.” From its symmetrical arrangement of sculptures of the Virtues, Temperance and Fortitude and Prudence and Charity, attributed to Antonio Bregno, to its arched window, matching spires, bust of St. Mark, and capped with a statue of Justice, this is, as the Latin inscription reads, an opus bartholmei, or a masterpiece of Bartolomeo Bon's.
Just above the cornice or ledge above the door, there is a sculpture of Francesco Foscari, the doge at the time of its completion, kneeling before Venice's prime symbol, the winged lion of St. Mark After 1032; the doge was no longer a hereditary position, but rather one of election. As will be explained later in great detail, the doge possessed no absolute power. He was subjected to many layers of government and he had to be respectful of Venetian law at all times, thus
Doge Foscari is on his knees before the symbol of the city. Many of the original statues here were destroyed in the Napoleonic takeover of 1797, and what you see are copies. Turn to your left to view the four Moors, a small grouping of red knights. (middle eastern music)
On your left as you face the Porta della Carta is the small grouping of red knights carved from porphyry, a purplish red volcanic rock. Who are they? No one knows for sure, though it is probable they were taken from Syria. Note that the friendliness of their embraces does not match the looks in their eyes or the grasps on their sword hilts. Some say that St. Mark appeared to these enemies of the state and turned them to stone.
Please note that you should only use the script or your recording of it for auditioning purposes. The script is property, unless otherwise specified, of the voice seeker and it is protected by international copyright laws.
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